The snare mic shares the casing of the tom mics, but has a different capsule specifically designed for capturing a polished snare-drum sound.The tom and snare mics look identical (apart from the on-body legending), though closer inspection reveals the snare to have a slightly different capsule, which is designed to flatter the unique sound of a snare drum, with all its associated high-frequency components. The attractively styled bodies are cast alloy (for the overhead and kick mics) and plastic (for the snare and tom mics) with a metallic satin finish and topped by dark grey baskets. Other than the overheads, all the mics are cardioid dynamic models. Samson's entry into this area is the Q7 set, comprising a kick drum mic, a snare mic, three tom mics and a pair of capacitor stick mics for use as overheads. Using traditional mics to record a drum kit can be very expensive, with the mics costing way more than the drum kit itself, but in recent years we've seen some very low-cost drum mic sets here in the UK, most of which are built in the Far East and turn in a very respectable performance. The three tom mics provided in the Q7 set, complete with mounting clamps.Īn extremely cost-effective set of seven dedicated drum mics.
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